Emerald by Sophie Lark
Series: Colors of Crime #5
Publication date: February 12th, 2020
Synopsis (according to Goodreads):
She Tried To Kill Me...
She crept into my room with a syringe full of poison.
Now she's my prisoner.
She refuses to tell me who sent her or why.
But I'll get every last secret out of her. Through pleasure or through punishment.
I captured her and now she belongs to me...
"Emerald" is a dark and dominating mafia romance, Book 5 in the Colors of Crime series. It's a stand-alone novel, full of intrigue, danger, and sexy bedroom scenes. Contains spanking, so if such material offends you, do not read.
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Excerpt
I was only six years old the first time I fired a gun. Eight when my father forced me to hold my breath again and again in a bathtub full of ice water. Twelve when he made me survive three nights alone in northern Maine in the winter.
I know my father wasn't right in the head. The problem is that when you work for the CIA most of your adult life, it's hard to distinguish between paranoia and actual threats.
It took me longer than it should have to figure out something was wrong. That some of the things my father was seeing weren't actually there. The cars "following" us. The "messages" he was being sent.
I had no frame of reference. I'd never attended a normal school. I had no friends. My father was my whole world. He was the smartest, most capable person I knew. The idea that he might be crazy was just... too horrible to accept.
I push those memories to the back of my mind. I can't be distracted.
I've cleared the ground floor of the west wing. If Ivan Petrov's rooms are on this side of the house, they must be upstairs.
I climb the stairs, entering a hallway that seems to lead to several bedrooms. All the closed doors are identical. Which one is Ivan's?
As I keep walking, there's a break between the doors, with a library on the left, and what looks like an office on the right. And then beyond that, at the end of the hallway, a set of double doors.
Bingo.
If there's a mater suite beyond those doors, it surely belongs to Ivan Petrov.
Does he lock his doors at night?
I carefully test the old-fashioned handles. They move easily beneath my hand.
With aching slowness, I crack the right-hand door.
It's dark inside the suite, the blinds drawn. I slip through the door, closing it silently behind me. I stand still, letting my eyes adjust to the gloom.
I believe I'm in a sitting room, with the bedroom somewhere beyond.
Holding my own breath, I think I can hear the slow inhale and exhale of someone sleeping close by. It's the breathing of a large man, broad in the chest. Large lungs, a vast, slumbering body. Ivan Petrov. I know it.
I've watched him from a distance. I've seen his intensity, his ferocity. The way his men snap to attention when he comes close, the way they obey his orders without question. I've seen his vigilance, the look of intelligence on his face. And, of course, I've seen his massive, powerful body. He wears a suit every day, but I've seen the round muscles of his shoulders and biceps even beneath the thick material of the suit jacket.
I don't want to get in a scuffle with this man. Nor do I want to risk firing a gun in a house stuffed full of his soldiers, not even with a silencer and a pillow wrapped around it.
So I've brewed up a special cocktail for Ivan Petrov. I take it out of my pocket now.
A single syringe of clear amber fluid. Once I drive it into his neck, he'll be immobilized in moments. It will flood through his bloodstream, turning his limbs to stone. His chest will seize up until he won't be able to draw a single breath. Remembering his mass, I've used enough paralytic to freeze a racehorse in its tracks.
It won't look like an accident, but that wasn't a requirement of the job. I just have to kill him and get out without getting caught.
I move through the sitting room, into the bedroom beyond. With the minute amount of light coming through the cracks in the blinds, I can just barely see Ivan's vast form, laying on the bed. He's sprawled out on his back, one thick arm flung up over his head. His heavily muscled and tattooed chest is bare. There's a patch of dark hair in the center of his chest, and a thin line trailing down the center of his stomach, disappearing under the sheet.
I suspect he's completely naked under there, without even a pair of boxer shorts. I can't help glancing toward the bulge under the thin sheet. It's a shame to kill a specimen like this, right in his prime.
But there's half a million dollars on the line. And if I don't kill Ivan Petrov, someone else will. So I might as well get my money.
I approach the bed. Nothing could be more silent than my feet, taking step after step across the thick oriental rug. I wear the same kind of shoes that rock-climbers wear--thin, flexible, grippy. Little more than leather slippers, and quiet as bare feet.
Petrov's head is thrown back on the pillow, his throat exposed. His dark hair tumbles across his eyes. His lips are slightly parted. His breathing hasn't changed--it's still a steady metronome. But I'm about to put a stop to it.
I slip the cap off the needle. I grip the syringe in my fist, my thumb above the depressor.
As I raise my right hand in the air, above his neck, I can't help glancing one more time at Ivan's face.
His dark brown eyes are open, staring up at me.
I know my father wasn't right in the head. The problem is that when you work for the CIA most of your adult life, it's hard to distinguish between paranoia and actual threats.
It took me longer than it should have to figure out something was wrong. That some of the things my father was seeing weren't actually there. The cars "following" us. The "messages" he was being sent.
I had no frame of reference. I'd never attended a normal school. I had no friends. My father was my whole world. He was the smartest, most capable person I knew. The idea that he might be crazy was just... too horrible to accept.
I push those memories to the back of my mind. I can't be distracted.
I've cleared the ground floor of the west wing. If Ivan Petrov's rooms are on this side of the house, they must be upstairs.
I climb the stairs, entering a hallway that seems to lead to several bedrooms. All the closed doors are identical. Which one is Ivan's?
As I keep walking, there's a break between the doors, with a library on the left, and what looks like an office on the right. And then beyond that, at the end of the hallway, a set of double doors.
Bingo.
If there's a mater suite beyond those doors, it surely belongs to Ivan Petrov.
Does he lock his doors at night?
I carefully test the old-fashioned handles. They move easily beneath my hand.
With aching slowness, I crack the right-hand door.
It's dark inside the suite, the blinds drawn. I slip through the door, closing it silently behind me. I stand still, letting my eyes adjust to the gloom.
I believe I'm in a sitting room, with the bedroom somewhere beyond.
Holding my own breath, I think I can hear the slow inhale and exhale of someone sleeping close by. It's the breathing of a large man, broad in the chest. Large lungs, a vast, slumbering body. Ivan Petrov. I know it.
I've watched him from a distance. I've seen his intensity, his ferocity. The way his men snap to attention when he comes close, the way they obey his orders without question. I've seen his vigilance, the look of intelligence on his face. And, of course, I've seen his massive, powerful body. He wears a suit every day, but I've seen the round muscles of his shoulders and biceps even beneath the thick material of the suit jacket.
I don't want to get in a scuffle with this man. Nor do I want to risk firing a gun in a house stuffed full of his soldiers, not even with a silencer and a pillow wrapped around it.
So I've brewed up a special cocktail for Ivan Petrov. I take it out of my pocket now.
A single syringe of clear amber fluid. Once I drive it into his neck, he'll be immobilized in moments. It will flood through his bloodstream, turning his limbs to stone. His chest will seize up until he won't be able to draw a single breath. Remembering his mass, I've used enough paralytic to freeze a racehorse in its tracks.
It won't look like an accident, but that wasn't a requirement of the job. I just have to kill him and get out without getting caught.
I move through the sitting room, into the bedroom beyond. With the minute amount of light coming through the cracks in the blinds, I can just barely see Ivan's vast form, laying on the bed. He's sprawled out on his back, one thick arm flung up over his head. His heavily muscled and tattooed chest is bare. There's a patch of dark hair in the center of his chest, and a thin line trailing down the center of his stomach, disappearing under the sheet.
I suspect he's completely naked under there, without even a pair of boxer shorts. I can't help glancing toward the bulge under the thin sheet. It's a shame to kill a specimen like this, right in his prime.
But there's half a million dollars on the line. And if I don't kill Ivan Petrov, someone else will. So I might as well get my money.
I approach the bed. Nothing could be more silent than my feet, taking step after step across the thick oriental rug. I wear the same kind of shoes that rock-climbers wear--thin, flexible, grippy. Little more than leather slippers, and quiet as bare feet.
Petrov's head is thrown back on the pillow, his throat exposed. His dark hair tumbles across his eyes. His lips are slightly parted. His breathing hasn't changed--it's still a steady metronome. But I'm about to put a stop to it.
I slip the cap off the needle. I grip the syringe in my fist, my thumb above the depressor.
As I raise my right hand in the air, above his neck, I can't help glancing one more time at Ivan's face.
His dark brown eyes are open, staring up at me.
About the Author:
Sophie lives with her husband, two boys, and baby girl in the Rocky Mountain west. She writes intense, intelligent romance, with heroines who are strong and capable, and men who will do anything to capture their hearts.
She has a slight obsession with hiking, bodybuilding, and live comedy shows. Her perfect day would be taking the kids to Harry Potter World, going dancing with Mr. Lark, then relaxing with a good book and a monster bag of salt and vinegar chips.
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